God Stalk Page 4

  Ah, the kitchen. Now, how to get down to it?

  At the northern end of the gallery she found a broad flight of stairs angling around the sides of a square well. Trailing skirt gathered up in her hands, Jame cautiously started down the steps. All went well at first, but halfway to the bottom, her foot caught in the hem and she found herself falling. Instinctively, she curled into a ball and finished her descent in this manner, in no immediate danger of breaking anything but under the distinct impression that she was renewing every bruise she had ever had in her life.

  She was stretched out on the tiles at the bottom gathering her wits and admiring, in a rather dazed way, the carved rafters high above, when a head blocked her view and demanded, "Are you quite finished?"

  "Y-yes, mistress," said Jame, staring up into the hard, bright eyes of the woman from the courtyard. "I ran out of steps."

  "In well-regulated households," the irate voice said, "invalids do not come casually tumbling downstairs. And I'm the Widow Cleppetania, cook and housekeeper . . . not the mistress."

  "And I'm Jame of the Kencyrath," the other replied rather sharply, "not an invalid."

  The widow snorted. "I'll believe that when I see you stand up."

  Jame did, very slowly and painfully, clutching at the nightgown as it tried to slip off both shoulders simultaneously.

  "Humph!" said the widow, not quite so harshly. 'If you can walk, you can eat. Come along, young lady, and be fed."

  Jame followed her into the kitchen, a high-vaulted room with three fireplaces, two of which had large kettles hanging on rachycrokes over the flames. The one on Jame's right as she entered contained boiling water, and behind it she saw a tiny scullery tucked under the stairs. The pot to her left, which hung between the kitchen and the main hall, gave off the marvelous odor that had drawn her from the gallery. The widow gestured her to a seat on the raised hearth of the third fireplace, whose back was to the courtyard. Jame sat down beside it, grateful for the warmth of its flames, while the widow ladled broth into a bowl.

  "Watch your mouth," she said, giving her the steaming porringer. "It's hot."

  Jame ate, too hungry to be careful or even to mind the burned tongue that her first taste gave her, while the widow finished sweeping together the remains of a dish and then returned to the bustard, which she had been preparing on the central table. The kitchen filled with the fragrance of thyme, basil, and rosemary. She was dicing figs when Jame finally put the bowl aside, scraped clean.

  "Cleppetania . . ."

  "Call me Cleppetty," said the widow, reaching for a beaker of white wine. "Everyone else does."

  "Cleppetty, what is the Feast of Dead Gods?"

  "Ha!" She started to flourish the vessel, remembered just in time that it was nearly full, and put it down with a thump. "I told Tubain that only ignorance or imbecility could have brought anyone out on such a night. The Feast of Dead Gods is what I expect you narrowly missed becoming. Once a year, on Autumn's Eve, all the gods who've lost or outlived their worshippers come back from wherever it is they've been and spend the night wandering the streets. Some are harmless enough, but most are hungry and out hunting for sacrifices—which is fine if they happen to relish potted begonias, but not so good if their people were fools enough to raise them on baby's blood or virgin's hearts. It's said they can't enter any building without an invitation, but most Tas-tigons seal up their windows and doors on that night just to be sure. Not Tubain, though; it wouldn't be hospitable, he says."

  She snorted, reached for a spoon, and began to stir the mixture so energetically that part of it flew out of the bowl.

  "It would have served him right if something big, red, and ravenous had strolled in that night instead of you. That man and his hospitality! We would have been ruined years ago if it were not for Mistress Abernia."

  While she had been speaking, the piebald cat had furtively slipped back into the kitchen and was now sitting beside Jame, cleaning itself. Another cat joined it, and then Boo. Jame watched them, digesting this information, while the widow seized the bustard and began to cram stuffing into it as enthusiastically as if it were a defunct enemy being dealt the final insult.

  "Cleppetty . . ." she said at last, very slowly. "If there are so many dead gods here, how many live ones are there?"

  "Why, hundreds, thousands." The widow stared at her over the carcass. "Bless you, child, what island of the moon did you come from not to know that every god in the Eastern Lands has a temple here? Tai-tastigon is the holy city of them all. That's why things are so strange here sometimes: we're not just god-ridden, we're overrun. Everyone knows that except, apparently, you. Now, is there any other common knowledge I can astound you with?"

  Jame considered this for so long that the widow, after a moment's wait, went back to her bird. There were any number of questions she would have liked to ask about these gods, but she hardly knew how to frame them and was, moreover, rather afraid of the answers she might get. Better let them wait, she decided, as Cleppetty maneuvered the bustard onto a gridiron and started toward the fire with it, her back arched against the strain.

  "There is one thing," she said, getting out of the way as the woman bent to fit the iron into its fireside slots. "About Taniscent. . ."

  The widow froze, one side still unsecured. "What about her?"

  The sharpness of her tone startled Jame. "Well," she said hesitantly, "this morning I could have sworn that she was about thirty years old. But now, just a few minutes ago. . ."

  Cleppetty dropped the rack. The bustard plunged into the fire in a fountain of sparks as cats scattered in all directions (except for Boo, who only tucked in his paws), and the widow dashed out the door shouting, "Tanis, you damn fool!" Jame heard her thunder up the stairs and along the gallery as she tried to rescue the bird from the flames. She was still trying when Cleppetty stalked back into the kitchen, seized a pair of tongs, and rolled the singed fowl out onto the hearth. She regarded it balefully for a moment, then turned sharply to Jame.

  "There's a drug called Dragon's Blood," she said in a hard voice. "It temporarily restores youth—or the illusion of it—but the more often you take it the more you need, and the faster you age between times. Tanis started using it four years ago when she turned twenty and thought that age was ruining her dancing. Now she takes it because of that worthless lover of hers, who I suppose she's with now. If this goes on much longer, she'll destroy herself. I'm telling you this because we care for each other here, and that poor, foolish child needs all the help she can get. Remember that."

  Then they heard heavy feet stamping into the hall, and someone shouted for food.

  "Customers already!" Cleppetty surveyed the kitchen with despair, taking in the burnt bustard on the hearth, the mound of broken crockery still on the floor, and the piebald cat on a high shelf, peering warily around a china plate that had already begun to teeter ominously.

  "What an afternoon . . . for you too, now that I think of it. Back to bed with you and let me salvage what I can of the day; and the next time you come downstairs," she shouted after Jame as she started carefully up the steps, "please do it the regular way."

  * * *

  AFTER THAT, Jame recovered rapidly. In a few days, she was running all over the inn, as bright-eyed with curiosity as a cat; but for all her pleasure at finding herself in a new, intriguing situation, she did not forget what brought her to this city in the first place. Now that she had seen Tai-tastigon, however, she realized that it would be virtually impossible to find news of her brother in so large and complex a place. Anyway, if Tori had come this way, he probably hadn't stayed here long, not with the Riverland—the home of the Kencyrath on Rathillien—waiting on the other side of the Ebonbane. She would have to follow her brother there, Jame decided, if they were ever to meet again on this side of the pyre.

  "But how do I get out of the Eastern Lands?" she asked Cleppetty.

  "Just now," said the widow, "you don't. The mountain passes snowed in a week ago and won't cl
ear again until the spring."

  "But surely there are other routes."

  "Once, yes. Folk used to go overland around the Ebonbane's southern toe, but now the Mildarien Peninsula is infested with haunts—and worse. As for the sea lanes, an early storm season has closed them, too. Every year we get more and more sealed off. Someday the routes westward will disappear altogether, but in the meantime if you meant this to be a short visit, your timing's as skewed as your sense of direction."

  Jame's first impulse was to set out anyway—southward, perhaps, in search of a ship willing to dare the Cape of the Lost in storm season. The psychic attraction that held the Kencyrath together tugged at her. Once she would have yielded to its pull without a second thought, but now she found herself hesitating. After all, her full strength had not yet returned, and she must not foolishly endanger the ring and shattered sword, her brother's lost birthright, which she would be carrying to him. No, she must wait either until she was completely fit again or spring made travel less hazardous. After all, what were a few more weeks or possibly even months when it had taken her years to fight her way back to that terrible homecoming at the keep? The world of her people would open up before her soon enough, she told herself. Her task now was to prepare herself for it.

  Meanwhile, life at the inn whirled along, each day repeating the basic patterns and yet improvising on them endlessly. Cleppetty set the pace. Every morning she started out by scrubbing the kitchen, the tiles of the great hall, and the floor of the side room where those too drunk to go home the night before had been dragged. Then there was the marketing, then the cooking, which kept her in the kitchen all afternoon. By early evening, the central cauldron was full of soup or stew and all available surfaces were covered with brie tart, humble, galantine, and eel pie, haslet for the hunters, leek dishes for the lustful as well as meat laid out ready for the spit and an odd assortment of other viands depending on who was in town for what religious festival. Then the customers began to arrive. From early evening until the late watches of the night, the inn filled with clatter, song, and ceaseless shouts for wine. Every third day, the widow baked bread, spreading flour all over the north wing with the vigor of her kneading. Every seventh day she did the wash.

  As soon as Jame was strong enough, she began to help whenever Cleppetty and the others would let her. At first, this was mainly in the kitchen. Cleppetty had a minor talent for theurgy and, with her book of common household charms, could do a number of handy things such as kindling a fire with its own ashes, making broken china whole, and raising bread in half the normal time. At the end of Jame's second active week at the inn, she suddenly found the book thrust into her hands.

  "Now let's see you try," the widow said, plopping a lump of unleavened dough down on the table before her.

  Jame hesitated. Many of her people had such talents if not far greater ones, but those that did were feared and often compelled to enter the priesthood. Apprehensively, she recited the charm. It usually took Cleppetty half an hour to ready her bread for the oven; Jame's rose in five minutes. When the widow sliced into the baked loaf, however, they discovered that its sudden expansion had been due to the growth of rudimentary internal organs.

  That was the end of Jame's apprenticeship in the kitchen. From then on, she helped with the laundry, washed dishes, and assisted in the great hall every night,

  Tai-tastigon, by daylight, was a quiet place as far as she could tell; but as dusk crept through the streets, strange new sounds and smells took root in the shadows and grew. As she darted between the tables under the three great chandeliers, Jame often heard the distant clamor of some religious festival or glimpsed the bizarre costumes and gilded faces of the celebrants themselves as they entered the Res aB'tyrr to drink a noggin to luck before some important rite. Once they brought with them a silent woman clad only in golden ornaments. Ghillie, the hostler, pointed her out to Jame, whispering that she was to be their sacrifice. Jame thought he was joking until she met the woman's haunted eyes across the table.

  And so the days passed. The people at the inn continued to treat her well. Tubain was always courteous as, indeed, he was to all who entered his establishment. Cleppetty remained brusque but not unkind. Rothan, Tubain's nephew, was friendly enough but rather pompous as befitted the innkeeper's heir. More observant or less tactful than the others, Rothan's young cousin Ghillie made the mistake at first of teasing Jame about her hands, and got the scare of his life when she nearly went for his throat. Luckily, he was a lightheaded, good-natured boy and soon forgot the entire episode. As for Tanis, she was delighted to have a roommate patient enough to listen to the tale of the endless fluctuations in her affair with Bortis, a handsome, arrogant bandit, come down from the hills to winter in the city.

  The only member of the household whom Jame did not come to know was Mistress Abernia. Tubain's wife never left her own chambers in the south wing. Jame heard her from time to time shrilly berating her husband for some outrageous piece of generosity or other, but never saw more of her than a shadow cast on a closed curtain, gesticulating wildly. No one would (or perhaps could) tell her why Tubain's wife lived in such seclusion.

  Nor was this the Res aB'tyrr's only mystery. Of more pressing concern was its relationship with the establishment across the square, an inn called the Skyrrman, run by a native of the Tenko canton of Skyrr named Marplet. Ever since her arrival, Jame had been puzzled by a series of small, unpleasant events at Tubain's hostelry. One morning, for example, she came down to find Rothan and Ghillie grimly scraping excrement out of the mouths of the B'tyrr figures on the front wall. Another day, someone tossed a sealed jug over the wall into the inner courtyard where it shattered, spraying Cleppetty's newly washed sheets with urine. It didn't occur to Jame to connect these events with the Skyrrman, however, until one afternoon something flew through the window and landed in a heap on the table that she was scrubbing. It was the piebald cat. Patches of its fur had been burned off and three of its legs were broken as well as its neck. Then Jame heard Marplet's household rowdies out in the square, laughing.

  A black rage rose in her. She dropped her washrag and sprinted for the door, only to be jerked back on her heels as Cleppetty grabbed her collar from behind.

  Half-strangled, she heard the widow's harsh, angry breath in her ear and, through clearing eyes, saw Rothan and Ghillie on the other side of the room, both obviously furious but doing their best to ignore the taunts now being shouted in the square. Tubain had simply disappeared into the cellar. Then the voices outside faded into the distance, and Cleppetty let her go.

  "Why?" she demanded hoarsely, one hand on her bruised throat. "We should all have gone after them. Why didn't we?"

  "Child, if you have any friendship for us at all," said the widow, "don't ask . . . and above all, don't interfere." With that, she turned and stalked back into the kitchen.

  Jame stared after her. Bound by the Kencyr law of hospitality, she must obey; by that same law, however, the honor of the household had become her own, to defend or forfeit. But how could she defend what she didn't understand? The sudden passivity of her new friends, whom she didn't believe to be cowards (except, perhaps, for Tubain), baffled and unnerved her. And that wasn't the worst of it, either. Cleppetty and the others knew exactly what was going on, Jame realized suddenly with growing dismay, and had probably known since well before her arrival. But they hadn't told her. Why? Because, for all their friendliness, they still didn't trust her. Because she was an outsider. Again.

  At first, she pretended that it didn't matter. After all, these people had a right to their secrets and no reason as yet to trust her with any of them. But as the days passed and Marplet's growing, unexplained harassment brought the others closer together in their passive resistance, she felt her own exclusion more and more. It reminded her all too vividly of life at the keep. For the first time, she realized how much being a full member of this household mattered to her, and how much she needed it.

  I've got to belong somep
lace, she said to herself one day, and if not here, where?

  She was lying on the warm tiles of the north wing roof, four stories up, looking out over the city. Ivory spires rose in the distance, tipped with light as the sun began its slow tumble down the far side of the Ebonbane. Night always fell quickly in Tai-tastigon, and with its fall the city sprang to life. Jame longed to be down in those convoluted streets, sniffing out their secrets. She had not forgotten the subtle lure of the maze, much less the gods of Tai-tastigon and the challenge she had issued because of them before her own temple. But Tubain had requested that she not leave the inn at all. He seemed to think that if she ever did, she would become instantly and irretrievably lost. Regarding the darkening tangle of streets below, Jame thought wryly that he might well be right; but the day might come when she would have to risk it. As much as she liked these people, she couldn't stay here indefinitely on mere sufferance. If matters didn't improve soon, she would have to slip the silken collar of Tubain's concern and disappear into the night, as alone and friendless as she had come.